‘PARISINA’, THE VATE AND CARAMBA

The current exhibition in Turin dedicated to the costume designer Caramba, housed in the rooms of the Accorsi-Ometto Foundation, provides an opportunity – among the many perspectives suggested – to examine the relationship between the artist from Pinerolo and Gabriele d’Annunzio, during the writing of Parisina (1913). Luigi Sapelli (Pinerolo, 1865 – Milan, 1936) cameContinue reading “‘PARISINA’, THE VATE AND CARAMBA”